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MORAV: Missions Live Action Series

MORAV: Missions plunges you in to the middle of World War III with a giant robot crew and an imbedded news correspondent as they fight for survival in a terrifying robotic war.  MORAV examines the human condition under the most extreme life and death situations. We are shooting MORAV as a live action series with loads of miniatures and other traditional practical visual effects, doing as much in-camera as we can. Since this is very much an independent production and we have no corporate funding, we are relying on the enthusiasm and generosity of our friends and fans to donate. If you would like to be a part of this incredible achievement, help us launch MORAV: Missions Live Action Series. Join our team and help. If you donate, we will put your name in the credits as a contributor, unless you would like to remain anonymous.

Thank you foryour support!

Behind The Scenes Sneak Peak

We are working hard to get this to you as soon as possible. While you wait, please enjoy a peak in to some of MORAV's live action and miniatures development. There are also some great still pictures in our image gallery.

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A video clip documenting the first test of the telemetry suit use for controlling the robot models. Fon Davis is wearing the telemetry suit. The robot duplicates Fon's motions. The telemetry suit and robot were developed by Grant Imahara of Mythbusters, John Duncan, Pierre Maurer, Scott McNamara and Fon Davis.
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A video clip documenting the second test of the telemetry suit use for controlling the robot models. Robot is filmed close up with attention to the hand control. mara and Fon Davis.
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A video clip documenting the first software test on an armored model of the Gen 1 MORAV before it went on display at San Diego Comicon 2007.
A rough computer graphics study of what the Generation 3 MORAV walk cycle should look like. Created and animated by Mitch Thompson.
Gen 1 morav walk

A rough computer graphics study of what the Generation 1 MORAV walk cycle should look like. Created and animated by Mitch Thompson.

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